Udinese.

Friuli and Rome. The two periods of Pier Paolo Pasolini. In Casarsa, Friuli, in the place of origin of his mother, Pier Paolo spent his youth. Here he became a man. He discovered his homosexuality and joined the PCI. He also founded a literary magazine in the Casarstico dialect in opposition to the Udinese dialect. He was keen to protect and pass on the dialect and peasant traditions in opposition to the linguistic and cultural homologation of fascism. "But where fascism failed, capitalism succeeded."

Become a great poet and director. He spent the period of maturity in Rome, where his critique of the consumer society and the PCI took shape. Italians were all the same, slaves to consumerism and the stereotypical image of capitalism. The only pocket of resistance was the Roman suburbs (especially Eastern Rome: the Prenestino, Centocelle and Torpignattara) where the popular wisdom survived that he brought to the stage with those masterpieces such as "The beggar" and "Ragazzi di vita".

He was a master of great artists such as Nino Davoli and Sergio Citti (protagonist of "L’accattone"). Nino Davoli and Totò were the protagonists of another great film: “Uccellacci e uccellini”. A sentence from that film struck me very much “Truth is like clouds. As soon as you mention it, it disappears ”. How many times has a person told us (or we have said) "This is the truth", telling huge lies? And how true is this concept for a newspaper like "La Verità" (the traslation in english is truth) which, for example, has multi-vaccinated journalists who often defend the novax bullshit. They express concepts they do not share and tell lies in the same way as the Pravda (which means truth in Russian) newspaper of the dictatorship of the USSR.

He was killed by a boy he had "towed" to Termini Station. Rome took him to glory and then to death. His death is still shrouded in mystery. Throughout his life, he had criticized everyone, including the PCI. He had made many enemies. A death, a life, a visionary mind, current and mysterious even now.

"The support is a youth illness that during all the life. I live in Bologna. I suffered at the time for this hearth's team. I suffer excruciatingly even now, for ever" The sporting love was reserved to the carnal Bologna. Pier Paolo Pasolini was Bologna FC supporter.

Gotti fielded the 352, but it could also be the 3511, very bold, with the outsiders (Molina and Stryger Larsen) who are real wings and almost never full-backs and with the 3 central backs (Becao, Nuytinck and Samir) who accept the 'one on one, but I foresee that with us they will have many situations in which they will also play with the 532.

They mainly build with Walace who can also drop to the defensive line in line with Nuytinck for space. They attack mainly on their left with the Arslan-Molina dialogue. With Molina moved further inland, Arslan can put himself as a winger to launch Molina deep.

The give and go Molina-Arslan-Molina.

In attack, the player with the greatest imagination and who builds the best scoring chances is “Tuco” Pereyra. If he were to play, Deleufeu also looks for the initiative in the phase offensive (I also rhyme).

When they press, the central backs are pressed by the forwards, the midfielders presses our midfielders and their wings press our full backs. Pressing suffocating, but you can overcome the ball on the ground. Often Deleufeu also goes to press the goalkeeper, a phase in which he is very good.

We will have to be very careful. On the defense, they can keep the defense high for offside and Silvestri stays in goal.

Usually, they play very brave. This is Gotti's philosophy. But they lost 0-4 to Napoli and this may have suggested a more defensive attitude. We are ready for anything. We play carefully. Daje Roma!

Giordano Sepi

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